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Zombieland operates from the mildly antisocial thrill of endless destruction and an absence of role models conveniently eliminated in the zombie apocalypse. The rules float over the action like footnotes and offer an initially witty, imaginative way of lampooning all those unspoken movie rules we embrace like sacrament.īut more than anything, Zombieland is a teenage fantasy come to life, a Ferris Bueller’s Day Off featuring the undead and a set of heroes who tool the ravaged countryside in supersized Cadillacs and brandish guns, chainsaws, and garden tillers as they destroy legions of flesh-eaters. Zombieland opens with Columbus’ voice-over narration as he ticks off a core set of rules for not becoming zombie lunch, things like always looking in the back seat and never assuming your first zombie strike has killed the beast. The two partners in zombie-killing meet Wichita and her little sister Little Rock (Abigail Breslin) when the girls hoodwink the fellas out of their Escalade assault vehicle before eventually teaming up with the boys.Īnd, finally, Zombieland is a self-referential treatise on the zombie film (as every post- Shaun of the Dead zombie film now seems to be). Zombieland is also a love story in which Columbus tries to woo sexy teenager Wichita (Emma Stone). Columbus grows a pair, and Tallahassee softens up and lets down his guard. In the longstanding tradition of such buddy movies, two things happen to the men, both utterly expected. It’s also a buddy picture about the goofy teen and the tough-as-nails, zombie-killing, Twinkie-loving renegade Tallahassee (Woody Harrelson) that Columbus meets along the way.Ī video game-playing shut-in, Columbus gets out of his shell thanks to the gentle bitch-slapping of Tallahassee, who not only drives a weapon-filled Escalade around the decimated landscape but plays Hardy to Columbus’ Laurel. (Characters are named for their hometown.) It’s a road movie about Columbus’ efforts to return to Columbus, Ohio, to reunite with his parents. (Fleischer was aided and abetted by screenwriters Rhett Reese and Paul Wernick - it took two people to write this?) But director Ruben Fleischer’s Zombieland is especially comprehensive, combining elements of many genres. The zombie genre has come a long way from the days of George Romero’s terminally creepy Night of the Living Dead, most noticeably in the way that humor has become a feature of the postmodern zombie film.
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Set in a post-apocalyptic America where zombies run amok and human beings appear to be few and far between, Zombieland takes the point of view of misfit Columbus (Michael Cera knock-off Jesse Eisenberg), a Judd Apatow-style social klutz who battles the undead. It aims for as high a body count as possible, all in an exploration of the maximum number of ways that the bodies of the living dead can be reduced to jelly.
#Zombieland movie rules free
Enjoy the free ride if your uber coupon works.Zombieland shares a sensibility that should be familiar to video gamers. For example, enjoy the office coffee if it will taste good someday. Hey, it also has a bonus point, you will free from the traffic challan as well.Īnd finally the most important rule, you have to keep yourself busy by enjoying all the little things you get from your life. Get the tip and always wear seatbelts if you don’t want to injure yourself or die in the process. Just similar to India where zombies try to cross the road and roads are really not safe to drive. It is important because they live in Zombieland and the roads are not safe.
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I think the most common rule of the Zombieland is wearing seatbelts. Don’t rush to show all your potential if you want to be a hero at the end of the year. In the end, you will enjoy the process and get your credit as well. Sometimes the kingmaker gets more respect than the king himself.ĭon’t be the hero, work in order to make things happen. I doubt have you ever read the philosophy of being a kingmaker is better than the king. You don’t have to be a hero all the time.